By Nicola Colecchia
Many museums, paintings exhibitions and galleries are searhing for new languages to teach the viewers their masterpieces. This essay is a technical solution to this need.
The language proposed here's the sub-symbolic language of the neural networks, that's in line with the bottom-up method.
The merits of such method are as follows:
a) The which means of a piece emerges gradually from its actual, perceptive and practical elements based on the self-generating precept of the dynamic systems;
b) the gap language of the murals is remodeled right into a sequential tale. for that reason within the conventional visible arts the time dynamics breaks in;
c) The “conversion” of 1 language into the opposite happens via certain neuroscientific standards, various from the loose interpretations of the creative;
d) the total narration is configured in response to a cluster research, said within the final pages of this essay.
AUTHOR OF THE ESSAY:
Nicola Colecchia, previous researcher of basic Psychology at the collage of Bologna, now directs Synapticart, Laboratory of paintings and technological know-how (www.synapticart.org), the place particular learn on artistic and comprehension strategies of paintings works (paintings, layout, installations, structure) is performed.
Through an interdisciplinary method in response to the self-generating precept of neural networks, he has elaborated works through nice artists of a while and areas intentionally assorted from one another, as a way to spot in all likelihood universal expressive mechanisms of their languages, regarded as a part of a sub-symbolic language, which function beneath the stylistic and historic-cultural configurations in their works.
Research has mentioned that the artists analyzed ( between whom Leonardo, Tiziano, Mirò, Magritte, Beuys, Weston, Pesce, Piano, Cattelan, Hirst and others) have intuitively created a few sub-symbolic mechanisms to reinforce the sexy energy in their masterpieces. actually the sub-symbolic language is “automatically” produced and understood either by means of the artist and through the observer’s of the paintings since it relies on an in-born code , which comprises everybody’s brain and physique, unbeknown to them.
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Anatomy of a Painting: Magritte’s Meditation by Nicola Colecchia